I can’t resist writing about a recent eMedia Vitals article by Rob O’Regan titled, “Not your father’s custom publishing.” O’Regan—formerly the founding editor-in-chief of CMO, a critically acclaimed magazine that catered to senior marketing execs—writes about how something called content marketing is becoming an integral part of business-to-business marketing. Essentially it’s the ability to explain the value propositions of complex products and services—things that just can’t be described with a sound bite or jingle.
According to industry sources cited in O’Regan’s article, content marketing already commands over a quarter of today’s overall B2B spend and will soon become a $47.2 billion industry. No surprise for us—or our clients. In many settings, an in-depth understanding of products and services can only be created with multiple impressions of long-form media, such as magazines. Rich programs that integrate many forms of content and reinforce key messages over time produce consistently better results. That’s good news for everyone—except for traditional publishers with broken business models who are feverishly trying to reinvent themselves as content marketing experts.
So far, these old-school publishers are finding the transition about as easy as teaching a cat to walk on a leash. O’Regan quotes Charles Lee, SVP of IDG’s new content marketing group, as admitting that the “vendor publisher model takes us out of our comfort zone.” Frankly, it seems as if traditional publishers are both scared and at a loss to understand how to customize content in a way that works. Lee is quoted again as describing how IDG always asks its client the following question: “On a scale of 1-to-5, with 1 being vendor agnostic and 5 being vendor oriented, where you want the content to be?”
Such a formulaic approach is tremendously naïve.
The art of custom media lies in shaping content that reinforces client messaging and serves reader interest. Of course client-sponsored content is biased in favor of the client—but it must still serve reader interest to be effective. If custom content emits even a whiff of marketing-speak, it goes unread at best, or at worst, damages the client’s relationship with the target audience.
That’s why I enjoyed reading O’Regan describe why the effectiveness of content marketing begins with content quality—and how the skills of writers and editors with journalism experience are relevant to these efforts. We agree. TDA spends an extraordinary amount of time finding, vetting, and recruiting this talent. But that’s just the beginning. Once they’re here, we teach these professionals how to adapt their skills to the custom publishing environment through best practices and techniques refined over more than 20 years in the business. We know that complexity doesn’t necessarily mean complicated. And that’s a lesson traditional publishers are struggling to learn.
